Means as an End: Musician’s mandate is evolve or die

I fall in love with songs when I first write them, but soon after, a love/hate relationship evolves. Depending on the day, time, mood, weather, what I ate for breakfast, stage of the moon, horoscope, price of the Dow Jones, or anything that can be skewed by perception, I may hate or love playing back the song I just wrote. From there, I might decide to record it. If I do, it’s a process of finding the tone and message I want to achieve with the recording. Do I want to use an acoustic, electric, programmed instruments, or real percussion? Do I want to yell, whisper, or stay silent? Should I use the solid state or tube amp? Set it on 10 or barely turn the volume knob? Clean or dirty? Crunch or lead? Once I run the gambit on soundscapes and every possible tonal difference, I start to mic.

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Craigslist Personals: Man seeking guitar, musician seeking answers

Making do with what you have is a sign of true creativity and innovation. You know all those “vintage” sounds and records that your mother or father played? Whether Motown hits or Black Sabbath, some of the most iconic sounds ever made were recorded with old beat-up equipment, minimal training, no digital correction and no grand production overall. Yet that’s the tone that can grab a person’s ear today.

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